Pro Tools | Carbon is thus big news because it marks Avid’s return to the project‑studio interface market. Seemingly, they’ve been content to offer native Pro Tools as a software‑only package, with users taking their pick from the wide range of third‑party USB, Thunderbolt or PCIe hardware available. The native version can work with any audio interface that has ASIO or Core Audio drivers, but this is a market sector that Avid themselves haven’t occupied for many years. This guarantees low latency and consistent performance levels, as well as massive I/O counts where these are needed. Larger configurations require Pro Tools HDX cards, which have hardware DSP to handle audio mixing, processing and routing. ![]() ![]() Home‑ and project‑studio owners typically use the software‑only version, in which all processing takes place on the host computer. It’s useful if you want to add bumper music or other prerecorded audio to a podcast in real time rather than editing it later, for example, or if you want to bring in audio from a Zoom or Skype call.Avid’s innovative ‘hybrid’ audio interface promises to banish latency for good.įrom the humblest bedroom studio to the grandest scoring stage, you’ll find Pro Tools everywhere. Loopback recording: This feature allows you to mix in audio from other apps running on a computer with the audio being recorded.We didn’t consider these to be freebies in our evaluations because you may already have software you like using, and the appeal of the free software depends on what kinds of music or other content you’re producing. Included software: All of the audio interfaces we tried include some type of digital audio workstation (DAW) software, as well as various plug-ins (software that produces sound effects or instrument sounds). ![]() However, such instruments are increasingly rare, and you can always buy a USB-to-MIDI adapter if the need arises.
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